Tuesday, August 27, 2013

Wanderlust

Wanderlust.
Pick up
and just
leave.

Depart, deny,
denounce, decry,
decide, devise.
Derail,
and just
leave.

Itch for something.
Go for gold.
Sing for loose
change,
Be sold.

Hold my hand,
and jump.
Don't wait for
the thump.

Free fall.
Stand tall,
and just,
leave.

Saturday, August 17, 2013

Roses

I wear a monocle
It's tinted rose
Just the one eye.
One side of my nose.

I could get the other one
Then I could see
A world that was tinted
Completely.

But I'd rather not
And keep my feet here,
On the ground and firm.
Skip the fear.

A monocle is fine.
It's fair even.
A skewed vision is good.
A semblance of reason.

I'm swaying, agreed.
The guiles of a beautiful color.
But I hope the wind
Won't topple me over.

Wednesday, August 14, 2013

Hanging upside down on an electricity pole
His head, taking a toll. 

Tuesday, July 23, 2013

What makes you happy?

If you could circumvent the idea of needing someone, would you be happier?

The song Zinda, from Lootera, is quite the personification of this thought. Zinda hoon yaar, kaafi hai.
Isn't it enough? To be one of the lucky few who live to tell the tale? Survive heat waves and deluges and landslides and freak electrocutions. Be able to survive and trust your heart to beat enough beats, and be strong enough, so you can concentrate on things that might make you happier for a little while.

'Après moi, le déluge. After me comes the flood.' Regina Spektor did say it well though. 'I'm not my own, it's not my choice.'
So we all live like that, with a little bit of the devil may care attitude, I'm gonna do that which pleases me, let the flood come when I'm gone. 

Which, tries really hard to go back to the idea, that is needing someone a naive idea that ensures survival, or maybe even a way to spend time in a lucrative fashion with?
I'm not contesting the idea of evolution and why one would need a partner, its just that, the search seems like such a futile endeavour. Where do you begin? How do you know you've reached the end? 
I keep thinking of the post I wrote on Waiting. Derived from the book called Waiting by Ha Jin, and how I talked about how we're always waiting for something. Waiting for Godot, after all.  

So how do you know when you've reached the end? The end of your wait? Maybe you will never. How will you? 

I have a theory, that a person can love only a limited amount. So a serial dater, would have less and less of her heart to give out to her newest beau. People do find someone after years and years, and spend their lives happily, but I think something of that rush and excitement and madness would've gone, and the urge to settle perhaps would've crept in. 

But how do you find someone in one go? WHERE do you find someone in one go? Discovering a soul mate is nearly as ridiculous in believing in past lives, although, I did buy Dr. Brian Weiss's spiel for sometime. But even in Before Sunset, or even Before Sunrise, Jesse raises the question that there are supposed to a limited number of souls right? So how is our population growing?
If that means we have fragmented souls and smaller and smaller pieces of originality, would you then attribute it to the multiple marriages and rising divorce rates? 

And if that is a ridiculous statement, then that points to the fact that souls do not exist. 

Ship of Theseus, a brilliant film in what it discusses with the audience and enlightens and questions the integrity of your soul, also picks the question of karma, karmic retribution, and faith.
If what you believe in, is the truth, then the truth is subjective, and so is the interpretation of every lie and every evil. This is perhaps the stem of organised religion. Which religion would you pick? Is that even an option? 
The overreaching arc that covers all the points that I have gone through, is that a person, i.e. we, are extremely selfish. It's not a revelation, just to acknowledge and live by. All that we do, is for ourselves, meant to save our souls in some way.

If you were to receive a stolen kidney, would you really give it back? If it went against your beliefs, would you still take medicines tested on animals if your life depended on it? If you were more comfortable and honest being blind, did society and the idea of being complete force you into new eyes?

So, finding someone is also a part of that selfish urge, to determine a validity of your existence, to see yourself appreciated in someone else's eyes, and to be able to see that in their eyes too.

But, even then, in the end, there remains a question. If your ownership in this world, you acknowledge as nothing, and, maybe not build a life of an ascetic, but remove yourself from the circle of possession. If you could circumvent the idea of needing someone, move beyond attachments. Would you be happier? 

Saturday, June 29, 2013

Sloth

Day 10

Today is the first day of my revolution. The world stirs around me, slowly, and I curl around the thought. Snaking my arm round my pillow, I will a gracious tear, but it doesn't fall, jut sits there, unwilling.
The crowd buzzes round and round, like I'm the decadent pot of honey instigating the temporary lives of flies. Or maybe I'm a rotting piece of flesh, discarded as easily my clothes. Perhaps the people feel restlessness creep into their houses from the crack under their doors, and the rush of wind when they hurriedly enter homes, flicking on lights to chase away darkness that sits like tar in the corners.
My pores probably seep this unrest, failing to affect my blood in the least.

Day 5

A fading lamp flickers in the corner. It holds my attention for the most part. The writhing flame expresses much of what I don't. If only someone would listen. They're trying to listen to the wrong thing. Ears should be put to use to sense the sound of fingernails scraping against winter skin, the slow hiss and crackle of matchsticks and the sound of hope falling six feet under.

I try to understand the idea behind movement, and the hustle and bustle people seem to hold in high regard, but I abandon that affair for another day. Tonight, I make peace with some things I wish not to comprehend.

My mind strains to hear other people's thoughts, rather than the superfluous words they supply. Immense effort must go into forming sentences that convey so little. So tonight, I lift my arm to silence the orator. The most I have done today. People are stunned, invariably stirring debate.
Of course, no one thinks to ask me, or I would have told them.

Day 1

Inertia, is the rebellion against movement. But inertia isn't voluntary. Every heartbeat is a push, effort taken to move blood from one place to another, or it would just sit around and go cold, terminating the thing we call life.
My eyes move reluctantly from one spot on the ceiling to another, resisting. A hand pushes my hair back. I slip over the countless others that surround me, waiting.

Waiting as if I am a molting phoenix or a shedding snake. Waiting for me to blink.

Day 12

I imagine there shall be a soundtrack to my life. I fear it shall comprise of silence. A brief interlude in the telling of other greater tales. Tales that involve so much more than stillness and a stony quiet.
 A finger twitch to ascertain life and a flinching pupil to seal the thought. A rhythmic beep to keep everyone happy.
People expect my tale to be one of great sorrow, misery and tragedies. They wait for me to gather my limbs and speak of something gravely that makes their hair stand on end and their toes curl unseen.

They expect a reason behind me, guarding me, solving their questions. Reasons are elaborate excuses given to justify action, but reasoning is largely a feat in futility. I give no reason, I answer no questions, yet I exist needlessly.

Day 25

A ray of hope lands in my room struggling through the dark foggy thoughts. It glints faintly there, lying on the floor and I try to will it towards me. Hope is a strange thing, there can exist plenty in the world, and none inside you. I try to stir, to accept that there might be a chance of reclamation, that my speech will redeem some part of me. But, irrelevant of the passage of time, the ray stays stationary, waiting for me to evoke it.

I don't know, how to. I don't know, why. I don't know.

Day  15

I have now worked through my winding tale of the past a couple of times. With each retelling, my eyes die more, and my voice becomes someone else. Those people become a race I don't believe in. I feel comfortable in the slime that has been suffocating me, finally. To shake it off, shrug off the thick layer of slime that coats your eyeballs and your heart, it isn't a question of effort, but possibility.

And to me, it is not.

Day 20

Strange as it may sound, I have died more. No number of eyes or hearts can move me. I have deadened all my senses, cause to feel nothing is better than to recognize everything. There is a force around me that is asking me to hang on longer, to stay put, to push past these stubborn doors, and the force is growing, its pressing against the windows, and my heart.

I cannot continue. I shall not continue.

To continue would mean that I have to exist in a life where my ideals are shattered, and where I am shattered. Where the basic fabric of human function is shredded.

I do not wish to continue.

Day 30

I leave today. They're trying so hard, but I leave. It grows inexorably strong, my urge to do something, to move, but even stronger is my body's willpower shutting down. My brain is unable to accept the brutal truth. I give up my revolution to others.

Other women will pick it up, other men will pray, many things are bound to happen.
The first day of my revolution shall not be my last, this I can promise you. This I can grant my soul.

To return whole and to maim and malign those that were capable of inflicting my devastation.

When I return, I shall be stronger that their horror, and flower out of this revolution.

But for now, I will leave. Leave the ray of hope behind, cowering under the raw power of my horror.

For now, I will leave.


*Dedicated to December's revolution, and every woman's pain.

Tuesday, December 11, 2012

Radioman

This is a commentary on the film, the premise of which I presume you are already familiar with. For what the film is about, google it. or http://wearethemovies.com/reviews/radioman

There is something so keenly basic and desperate about the man and the story, that you are able to relate immediately with Radioman. His instinctual desire to leave his past and his identity behind is felt throughout the film.
At some level, all of us want to be like him, be nameless, yet on a first name basis with the worlds most publicized lives. But a sneak peak into what it takes to keep the drama alive, and we agree to be anonymous in our lives again.
Despite the seemingly honest testimonials granted by Hollywood's who's who, I couldn't help but feel that they treated him like a charity case. That their friendship with him was to only further their image as a do-gooder down to earth average guy.
 The film does dip into genuine care from some of the celebrities, and even into Radioman's troubled past, which helps the audience understand where this man comes from. His boisterous ways and a ready smile keeps the audience engaged and chuckling throughout. But the radio remains a steady reminder of the days where he was so lonely that the radio was his only friend.

The film in itself isn't crafted artfully. Most of the work is handheld and, one important guideline that I like to refer to, is that if you switched off the video, you would still understand the film, which neglects that fact that you're using a visual medium. A valuable gem bestowed by my professor.

Despite a lengthy disparaging review, the film makes for quite an interesting watch, if only for the wonderfully quirky nature of Radioman. Everybody in the audience took away a little bit of him when they left the theater I feel. The urge to be a little happier, a little more random and to work what you believe in.

At the end of the screening, the man himself was present and taking questions, and his personality and his livewire ways just steal the show. But his closing thought should be the thing that stays with you in which Radio man says that if there is something you really want to do, or be, just do it. Work towards it, and you will be.

What I took away from the film: Live a little, and follow your dreams.
Even a (previously) homeless man can star in over a hundred films, be on a first name basis with Martin Scorcese and still fart freely.

A charming and fun film to watch, all in all. 

Monday, August 6, 2012

Kalpana



Written as an entry for the MSN She Competition around a quote from the book The God Of Small Things by Arundhati Roy.

For one second, she paused. The kitchen towel bloomed with flowers of crimson. Tendrils of blood crept to the corners, snaking across like vines. Turning pink at first, the white gradually turned colour, reminding her of paintings, and for a moment, what it really felt like to be alive.

She could see the red creeping in between her fingers and settle in the crevices of her wedding band as she scrubbed the kitchen clean. She observed all of this dully, with her dead eyes, not even for a moment blinking in surprise.

Momentarily distracted, she wiped up the mess and hung the kitchen towel out to dry. The kitchen had a strange metallic smell in the air. So she opened the windows and hoisted her husband’s body onto a bedsheet. It did not strike her until later that she wrapped her dead husband in the same bedsheet that he had gagged her with on their wedding night.

For years after that night, Kalpana woke up in fear. She spent the day in fear, and she slept in fear. Kalpana would take up a tiny little corner of the bed, and curl up like a bean. She would shiver throughout the night even though the blanket lay an inch away from her, and she would wake up in fear again.

She wasn’t a mousy creature, no. She was portly and matronly, and had the correct amount of fat around her middle to qualify as a mother. She had a tinkling laugh back in the day when she didn’t live in fear, and even her eyes squinched up at the corners when she giggled. Her children would do anything to make her laugh like that, and Kalpana would laugh at anything her children did.

But even before all this, there was a time when Kalpana was happy. It was a time before Kalpana knew better. It is a mistake that most make. Over and over again people would believe in real happiness, and over and over again, they would be proven wrong. In this delusional world, Kalpana remained happy. She would sing when she meant to dance, but it made her happy anyway.

She hadn’t dreamed when she met Shashi, that one day she would be stuffing his lifeless form into the ground, unceremoniously, without wearing white, or beating her bosom in loss. Without even taking the effort to wipe off her sindoor.
No, Kalpana didn’t do anything of the sort; she simply wrapped him up tight and left his face peeking above the sheet. An unconscious decision made of years of swaddling and tucking her children in bed.

Kalpana, quietly as ever picked up a book, switched on the night lamp and read herself to sleep. It had been an age old habit of hers to underline pieces of particularly unusual and interesting lines that she came across in the books. Tonight her tiny stubbly pencil had marked a dialogue.

“Now you’re just somebody that I used to know.”

It wasn’t particularly a stunning piece of literary work, but it conveyed her love for her husband, and that was that. Kalpana slept peacefully that night.

Meeting Shashi hadn’t been a coincidence of any sort. It had been carefully and meticulously been planned by her mother after months of matching monetary levels, sizing up looks and establishing club memberships. Shashi had miraculously passed all essential criteria. Pity there wasn’t a measure for potential abuse.

So the date had been set and the swashbuckling Shashi had entered their home and charmed everyone. He had sent Kalpana’s sisters into a fit of giggles, and watched the elderly party go red in the face at this blatant display of possible affection, when he took her hand and marched off to the garden as per the parents’ command.

Only Kalpana had winced when he crushed her hand inside his and pulled her outside. He had kissed her roughly, and let her ascribe her red, bruised face to shyness. Kalpana had just registered alarm when he told her how beautiful her eyes were. He told her everything about himself, and painted a fairytale for her. He even went on to name their children, which might have seemed like optimism, or love at first sight, but Kalpana later realised, was marking his conquest.

Both of them were called back in front of the parents to say their farewell, and in the moment they were heading back, Shashi had leaned in and whispered,
“I have seen you, maybe that will be enough for now.” She didn’t know how it was that Shashi knew her latest underline, but he did, and that sealed the deal.

He came to meet her sometimes, and took her out to see a world she didn’t know existed. She smiled shyly sometimes, and he looked at her with an unusual mixture of hunger and admiration.

That night, she marked, “Being with him made her feel as though her soul had escaped from the narrow confines of her island country into the vast, extravagant spaces of his.”

So the marriage was arranged and a smile painted on Kalpana’s face for her. Every single night, like their wedding night, Shashi had rolled over, groped in the dark, and made Kalpana yield to his demands. She would get up, bruised purple, and he would smile and tell her how lucky he was.

In one of those days, she had found “I will possess your heart”.

Soon, Kalpana discovered she was pregnant, she didn’t know if she should be scared of feel blessed. The night her daughter was born, Shashi had distributed sweets all around the hospital.

Rashmi was a blessing. She came along to save Kalpana’s life. A much needed respite from Shashi was granted, and she woke up with a smile on her face sometimes. Shashi spent a lot of time with Rashmi, and seemed to take good care of her.

So Kalpana marked “Let’s do the things we normally do.”

Although, she hadn’t been much accustomed to normal, this is as close as it got, she decided.

Then one day, when Rashmi was several months old, her husband commanded that she return to bed. She had to listen to Rashmi’s plaintive cries, while Shashi finished. Her hurry to rush to her child made him sneer at her. Taken aback, she had scuttled to her child and calmed her down with haste, returning to her husband’s favour.

Soon enough, Kalpana was pregnant again. Shashi had started spending more time outside home than normal, he even spent more time with Rashmi than with her nowadays, so Kalpana thought that maybe, a new child would bring her husband back to her.

She had a boy. They named him Ajay. Unlike Rashmi, Ajay didn’t receive a bit of the attention that his father showered on his sister. Shashi didn’t even bother picking him up.

In this sporadic love of his, Kalpana had built a home. No one could call it a happy home, but it was a home. Her children would come rushing to her after school, and Ajay would cling to his mother while his sister was showered with fatherly affection. Ajay would never be asked to go on a drive, or have an ice cream, it was always Rashmi.

Meanwhile, Rashmi being the sweet elder sister, always saved some for Ajay. She never paraded her adventures with dad in front of Ajay. She didn’t even tell her mom about them. There was never a shine in her eyes, or an eager smile on her face to join her dad.

Shashi had come home one day, calling out about a present for his companion. Kalpana surprised herself by heading over to him. He pushed her aside roughly, and handed the present to Rashmi. Rashmi had looked at her mother, and given a wooden smile to her father and gone into her bedroom.

The book Kalpana was reading that night, she found these words, “Why do you let me stay here?”

Shashi had gone to office, like regular days, and come back home, on the regular time. He had even had too much whiskey, like his regular self. But Kalpana had a question to ask of him. She wanted to ask him to take Ajay out for some father son time. So she did. He, in turn, replied, his eyes unfocussed, if Ajay had a vagina.

Shashi slapped Kalpana so hard, for her impudence, that he clear knocked her out. Both her children came out of their rooms to plead their mother’s wellbeing. Shashi slapped Ajay too, for no good reason. He tightly clenched Rashmi’s arm and dragged her to her room. Ajay cried for his mother, clutching his scarlet cheek. He cried for his sister’s love too. But most of all, he cried for his father to forgive him, for a sin he didn’t know he committed.

Rashmi made not a single sound when her father took her to her room. She did not whimper in pain when he bruised her arm. She did not cry out when he slammed the door that hard. She didn’t even protest when he put his hand under her shirt.

“I know what you did. It makes me sick. I am going to tell.” Maybe not from books, like her mother, but this TV dialogue played over and over in Rashmi’s head. Like it did every time her father took her on car rides, or read her a story, or used any of the other reasons to get what he wanted.

Kalpana, meanwhile, was stirring. Even if he knocked her out to near death, she had always believed her children’s cries would save her. And it did, she clung to Ajay for dear life, never once having felt this humiliated.

She could hear her husband whispering, so she assumed he was spending time with Rashmi to calm down. But then she started to hear some familiar noises, noises she was accustomed to hearing every night.

Kalpana quietly opened her daughter’s bedroom door. She noticed her husband’s hands, where they shouldn’t be. She noticed his mouth, where it shouldn’t be. She even noticed her daughter’s clothes were where they shouldn’t be.

The last thing she notices were her daughter’s eyes, locked onto hers, while closing the door, which she shouldn’t have.

Quietly, Kalpana went over to the kitchen, and prepared dinner in the thick bottom pan she reserved for her best curries. She noticed when her husband came into the kitchen demanding dinner, and left a lingering kiss on her cheek. His compliment to her cooking skills.

Silently, her family ate the dinner Kalpana had cooked, dishes for an occasion. Her children and Kalpana herself, with a losing appetite, finished up quickly and headed into their rooms. Kalpana dedicated herself to serving her husband’s ignited appetite and served him dutifully. Kalpana spent some extra energy scrubbing the heavy pan when Shashi entered the kitchen to keep his plate.

He washed his hands of everything he had done that night. As he turned to leave, Kalpana’s hands raised the pan by themselves and brought it down with a formidable force on her husband’s skull. A ripping crack echoed across the kitchen; Shashi’s eyes widened in surprise and stayed that way as he slumped to the floor in a graceful manner. Two drops of water made it to the floor, one from Kalpana’s hardened enraged eyes, and the other from her hand, dripping soap.

After that night, Kalpana didn’t read a book for a very long time. She concentrated on bringing up her broken children in a broken home full of questions. She couldn’t answer their questions about their father, but she could assuage their fear about his return.

She couldn’t even hide the feeling of loss, but she did. Normality, had been upset again, but it had never been upset in a more wonderful way. She was bruise free for the first time in years. Her daughter’s reproachful eyes had started to turn studiously black, and her son had felt like a boy for the first time.

None of the situations were good, but they were headed in the right direction. So Kalpana finally picked up a book, and marked the opening line.

“It was a pleasure to burn.”

Wolfish

There is hair Everywhere Behind my knees Between that crease, In my nose Between my brows And just yesterday I Found one on my chin Perhaps...